• #DontMuteDC
    Small business owner, Donald Campbell, has been playing go-go music - a musical form that owes its development to D.C.’s native, Black, cultural traditions - from his Metro PCS storefront in Shaw for nearly 24 years. However, after residents of a new, neighboring, high-rise condominium made complaints last month, T-Mobile ordered Donald to stop playing the music that has so defined the city’s rich history. Anyone who is familiar with Shaw is familiar with Donald’s music, which he plays during business hours and which, by his storefront commissioner’s own admission, does not violate local sound regulations. Yet, despite the fact that generations of residents and students have grown up gathering on his block to listen and to commune, T-Mobile has insisted that he “get rid of the music” or lose his livelihood. Black cultural norms and traditions are under attack in large, metropolitan cities like Washington D.C., where rates of gentrification and displacement are skyrocketing. As the cost of rent shoots up in neighborhoods like Donald’s, many residents and local store owners are being forced out of the only place they have ever known and criminalized for participating in the very cultural practices that they have inherited. And as more and more people move away, lose their businesses, and even, in many cases, their places of shelter, actions like T-mobile’s underscore a larger message to long-time Black residents of the neighborhood: you are no longer welcome in your own home. This is unacceptable. Members of the local Advisory Neighborhood Committee say that in the long history of his business’s operation, Donald’s music has never been a problem. But a few complaints from wealthier residents who are new to Shaw and to its traditions have been enough for T-Mobile to threaten the cultural integrity of a community that Donald’s music has always brought together. We demand that T-Mobile put an end to their criminalization of Black culture and art in Washington D.C. We demand that T-Mobile allow Donald to bring his music back!
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    Created by Jamal Jones
  • #MuteRKelly on local Kansas City, MO radio
    By continuing to listen to and purchase R. Kelly music, we not only fund his predatory crimes and behavior but we are saying that we condone his behavior. Further, it sends a message that our black girls don’t matter! #MuteRKelly #blackgirlsdomatter
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    Created by Nancy George Picture
  • Shut Down NYC R. Kelly Concert at FREQ on January 27, 2018
    Facts on Violence Against Black Women Girls African American girls and women 12 years old and older experienced higher rates of rape and sexual assault than white, Asian, and Latina girls and women from 2005-2010. U.S. DOJ Bureau of Justice Statistics, “Female Victims of Sexual Violence, 1994-2010,” 2013 40-60% of black women report being subjected to coercive sexual contact by age 18. Black Women’s Blueprint, “The Truth Commission on Black Women and Sexual Violence,” 2012 4 in 10 black women have been subjected to intimate partner violence in their lifetimes. National Center for Injury Prevention and Control and the Centers for Disease Control and Prevention, “The National Intimate Partner and Sexual Violence Survey: 2010 Summary Report,” 2011. Black girls are disproportionately at-risk for sexual trafficking. Over 40% of confirmed sex trafficking survivors in the U.S are African-American. Banks, Duren and Kyckelhahn, Tracey, “ Characteristics of Suspected Human Trafficking Incidents, 2008-2010”, The Bureau of Justice Statistics, 2011. Black women also experience significantly higher rates of psychological abuse—including humiliation, insults, name-calling, and coercive control—than do women overall. Institute for Women’s Policy Research “Stereotypes regarding African American women’s sexuality, including terms like ‘Black jezebel,’ ‘promiscuous,’ and ‘exotic,’ perpetuate the notion that African American women are willing participants in their own victimization. However, these myths only serve to demean, obstruct appropriate legal remedies, and minimize the seriousness of sexual violence perpetrated against African American women.” Women of Color Network, “Communities of Color: African American Women” 2014. A study found that college students perceived a black victim of sexual assault to be less believable and more responsible for her assault than a white victim. Donovan, “To Blame or Not to Blame: Influences of Target Race and Observer Sex on Rape Blame Attribution,” 2007. Some African American women’s decisions not to report their sexual assaults may be influenced by the criminal justice system’s history of treating European-American perpetrators and victims differently than perpetrators and victims of color. Women’s Institute for Leadership Development for Human Rights, “The Treatment of Women of Color Under U.S. Law: Violence,” 2001. For every African-American woman who reports her rape, at least fifteen African-American women do not report theirs.
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    Created by Black Women's Blueprint Picture
  • Change the National Anthem to Bodak Yellow
    The National Anthem was written during a time when white Americans could have slaves and no women were unable to vote. I want a national anthem that empowers women and talks about economic prosperity for all. And that anthem is Bodak Yellow.
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    Created by Wintana Melekin
  • End Business Ties To R.Kelly
    R.Kelly continues to profit off his music career with new business opportunities, despite the numerous allegations against him of sexual abuse against women. The investigation has shown that R. Kelly has been continuing his behavior as a sexual predator who targets teenagers for manipulation. This is the latest in a long documented history of incidents showing R. Kelly to be a sexual predator. R. Kelly's documented history as a sexual predator is long. He married Aaliyah when she was a teenager, he's been known to target young women at his former high school, and now Buzzfeed has exposed his continued manipulation, mental and emotional abuse of teenagers today. Despite this established, and documented history R. Kelly has recently been featured on award shows and releasing albums. Record companies still pay R.Kelly to make music, and venues are still booking this man to come onto their stage and recruit new victims. Enough, we can not allow corporations to sacrifice the well being of Black girls and women simply for profits. All companies must end their ties to R.Kelly and stop enabling this sexual predator.
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    Created by K .